WELCOME TO DAVID HEY'S COLLECTION


MEMORIES OF BR STEAM DAYS

 

As a small boy in the 1950s I'd listen to old folk chin-wagging over back yard walls, moaning in general about life's ups and downs, and wondering where all the years had gone. I hadn't a clue what they were talking about, but now I'm their age, I'm just the same…the time seems to have flown by.
Of course, everyone reaches an age when they notice a conspicuous slowing down in energy levels and aching knee joints make climbing stairs more difficult, but rather than caving in to the ageing process it's plainly helpful to adopt a more positive frame of mind; indeed there's nothing I like better than indulging in a spot of nostalgia for the good old days, which, for a generation of ex-train spotters like me can revive some truly remarkable memories of our childhood spotting trips. However not everyone is interested in our 'gung-ho' spotting adventures from sixty-odd years ago. Perhaps they think we're making it all up?
Whatever the reason, why is it that young people today regard OAPs as having nothing to say that's worth listening to? They've simply written us off as a bunch of grumpy old codgers, constantly moaning about declining standards, and because we refuse to pander to liberal opinion we end up being marginalised, almost criminalised - a slight exaggeration, perhaps, but it'll do for starters.
I'm talking about the calamitous affects of mass immigration, the chronic abuse of our foreign aid budget, the grubby world of politics and dodgy Eurocrats who make up the rules to suit themselves. In short, this crazy world is getting madder by the day and Britain is not the same country we were born and voted for all our lives...oh dear, don't get me going!
Okay, I'll stop there before this turns into a rant…after all this introduction is intended to be a cheery stroll down memory lane; a website built especially for train spotters, all of whom are like old friends dropping in to wallow in some old-fashioned nostalgia - it is them, more than anyone, that makes this site such a joy to work on




(Above) Doing what countless thousands of schoolboys loved best on a sunny weekend in the 1950s; this shot by RE Toop is a favourite photo from steam days when train spotting was the national hobby for youngsters and large groups like this could be found congregating at every major railway station. This group of boys in blazers and schoolcaps are flanked by 'Hall' class No 6958 Oxburgh Hall and 'Castle' class 7029 Clun Castle at the west end of Bristol Temple Meads station on Saturday 8th May 1954.

(Below) Now in our Seventies, our eyesight and hearing might not be what it used to be, but the memories we have of train spotting are still intact, and so too is our weakness for seeing the funny side of growing old. I must spend the best part of the day sending myself up…and why not? A sense of humour helps to cope with the daily struggle of getting a pair of shoes on the correct feet every morning or remembering to zip up my flies before popping out to the shops. Okay, perhaps a miserablist streak of humour isn't everyone's cup of tea, but a bit of clowning around is a good way of deflecting the sniggering cynicism being meted out by today's stony-faced hoi-polloi, not that I care what they think about our hobby - I don't. In this shot below, a couple of young spotters are awaiting their next 'cop' while a meditative teenager contemplates Britain's balance of payments deficit and the driver of 'Jinty' 0-6-0T has a fag break, doubtless looking forward to the end of his shift and a pint at his local BRSA Club
.



A warm welcome to the new Second Edition of the collection, a website full of memories from a gentler, more innocent age when the post-war baby-boom was at its height and kids climbed trees, played hopscotch in the street and rode bikes without brakes, all of which is a far cry from today's mamby-pamby society. Life back then was something of a 'Boy's Own' adventure, if you like...but how time flies!
Fast-forward 50-odd years and the ageing process does have its advantages - it gives us a chance to draw on feelings that we were unable to express as small boys.
That's why this website is pitched in a light-hearted fashion. After all, the hobby cuts no ice in today's hard-nosed society and this is especially the case at the parties I'm invited, where the people I meet are constantly looking over my shoulder in case someone more interesting enters the room.
Their behavioural tic becomes more frantic when I do my favourite party trick, a tongue-twister...it works best if you pinch your nose and speak in a high-pitched train announcer's voice; it adds pathos to the drama!

'The train now standing at platform four is the five o' four for Forfar, calling at Fife. The first four coaches are for Forfar...the far five for Fife. The first four reach Forfar at four fifty-four and the far five at Fife at five forty-five!'

Okay, you're probably thinking there's a village missing an idiot somewhere so I'll stop larking around. After all, there is a serious side to this site too. It is the growing sense that if we lose sight of our past then we may as well say goodbye to the future.
For many spotters the end of steam overshadowed everything, but locking away one's feelings will not dispose of them, rather it evokes a lot more feelings besides. Once you start unearthing childhood memories long lost in the mists of time a much bigger story starts to unfold; you begin to develop an extraordinary affection for old red telephone boxes, Dinky Toys, Hornby Dublo trains, Vespa scooters, frog-eyed Sprites, old bangers with running boards and starting handles - even women PCs in stockings and suspenders. Indeed much of what has disappeared during the past fifty years means something special to someone in one form or other, especially BR steam in everyday service.
Today countless thousands of ex-spotters still bear the emotional scars of abandoning their allegiance to steam during the 1960s. Many abstained from the hobby as a matter of principle, others in reluctant surrender, but whatever the reason the overall feeling was that as steam had outlived its usefulness, then so had our interest in trains - a view in which we managed to persist until the bitter finale came in August 1968, and just five steam locomotives were left: 3 Black 5s Nos 44781, 44871, 45110; a solitary 8F No 48448 and the last working 'Britannia' No 70013 Olver Cromwell.
Sadly, after the '15 Guinea Special' ran on August 11th 1968 (costing over £216 in today's money) it was all over and train spotting would never be the same again. The huge crowds gathered by the lineside to watch BR's last steam-hauled train was quite extraordinary; indeed when you start to delve into the psyche of the spotting fraternity it is difficult to differentiate between out-and-out dedication and mental illness...
...this reminds me of the tale about a hard-core enthusiast who bought two tickets for the '15 Guinea Special'. As he settled into his seat by the window, another man asked if anyone was sitting in the seat opposite him.
'No', he replied, 'the seat is empty….'
'Really!' said the man surprised, 'Who in their right mind would buy a 15 guinea ticket and not use it?'
'Well, actually the seat belongs to me. My wife was meant to be here, but she passed away.'
'Oh, I'm sorry to hear that...I guess you couldn't find someone else, such as a friend or relative to take the seat?'
'No, they're all at the funeral,' he replied.

                                           THE PSYCHE OF A TRAIN SPOTTER

Watching small children playing with toys can reveal a wealth of information about a child's development and the way gender stereotyping is established early on in infancy. Inherent in every girl is a passion for playing with dolls and clip-clopping around the house in mum's high-heeled shoes, whereas small boys have an unashamed passion for big machines - and the bigger, noisier and dirtier the better!
If I had to run an appraising eye over the big machines I recall as a child - cranes, tipper trucks and diggers; to say nothing of double-decker buses and trams - then nothing could stimulate a rash of goose-pimples in quite the same way as the sight and sound of a hard-working steam locomotive; back in the 1950s the everyday spectacle of BR steam left an indelible impression on countless thousands of youngsters and not surprisingly train spotting became the national hobby for boys.
Indeed all boys like to form strong emotional bonds at a very early age. The need for bonding comes from the desire for social approval and a sense of fitting in with the crowd, either by joining a gang or becoming a member of a club or team.
The same requisite exists in today's digital age, except youngsters today interact in the anonymity of cyberspace by sending endless streams of tweets, emails and texts - none of which comes close to real human contact. If you ask me, a mobile phone is the technological equivalent of a spoiled brat constantly demanding attention from a doting parent...I suppose the same can be said for running a busy railway website, I am constantly at its beck and call.
Of course, back in the less-worldly 1950s the world was a very different place. With no computer games and mobile phones to distort a youngster's sensibilities, most kids liberated their youthful exuberance by knocking on one another's doors to rally mates into a marathon game of hopscotch, football or cricket in the street. And the fact that it involved old-fashioned rough and tumble gave us an even closer connection. In short, there is no substitute for face-to-face interaction.
In fact it doesn't seem all that long ago that boys were encouraged to join a local community group such as a Cub Pack, Scout Group and Youth Club, even a national organisation like the Youth Hostel Association - and being a committed train spotter, the Ian Allan Locospotters' Club was a big draw. All had an important role to play in a boy's social development.
Of course, finding a well-organised group is all fine and dandy, but if you scratch the itchy veneer off a cocky teenager (who thinks he knows it all) then choosing the right group can be every bit as dodgy. There's always the risk of falling-in with the wrong crowd, say a marauding gang of reprobates just itching for a fight and trouble is never far away; indeed there is a lot of truth in the saying 'strength in numbers', for a gang can descend into a mob-rule mentality at the blink of an eye, and often for no good reason. And because no one takes responsibility for their actions, innate tribal instinct kick-in allowing youngsters to behave in ways that they'd normally never do on their own - think school bullies, flying pickets, football hooligans, even Internet trolls you'll get my drift.
But why am I telling you all this? Well, train spotting was a whole new ballgame! Okay, we had strength in numbers but I never saw any violence or rivalry; perhaps our behaviour was boisterous at times, but to run away with the notion that spotters were a bunch of rabble-rousing tearaways is way off the mark. The majority of boys I met were loyal, trustworthy, and committed to a single cause, and because we shared a common interest in trains, there was a wonderful sense of belonging to a club that excluded no one from joining.
.

(Below) Widely known in train spotting circles was our susceptibility to a condition described by analysts as 'unconscious suggestion' - more commonly known as mass hysteria, a classic example being the outpouring of emotion at stations along the East Coast Main Line where the Class A4 Pacifics dominated the Anglo-Scottish expresses. On hearing a Class A4 'Streak's' tri-tone whistle in the distance the interaction among spotters was immediate; a chain reaction of high-octane excitement, we simply couldn't help ourselves; we just got swept along by the raw emotion of it all…In the harsh winter of 1962, Class A4 60028 Walter K Whigham speeds south through Hitchin whilst a Brush Type 2 D5653 awaits departure on a local train.





(Above) With notebooks and pencils at the ready, here is an orderly group of train spotters. No, they're not! They are a 'spick and span' version of how the media envisage us! Well, at the risk of sounding sexist I can't imagine the little girl's handbag is chockful with Ian Allan abc books and jam butties! And just look at Lord Snooty on the right...he's straight out of 'Beano' comic. Not a Bash Street kid in sight! This well-mannered group are featured in a promotional film: 'British Locomotives -1959 Steam Trains, Diesel Trains, Electric Trains' by Greenpark Productions in association with the Film Production Guild. You'll see shades of the famous 'Elizabethan' film in the opening shot of an EE Co Type 4 D208 at speed! Click
here to watch this enjoyable 20-minute film uploaded by 'wdtvlive42' on 'Youtube'.

                   A BIG THANK YOU TO EVERYONE FOR CONTRIBUTING TO THE SITE 

Not long ago I bumped into an old spotting chum called Bonzo, a somewhat abrasive character I hadn't seen in years; in many ways it should have been a joyous meeting, but I hadn't bargained on him being the same self-opinionated prat I remember from childhood...not everyone mellows with age.
With hindsight I was a fool for giving way to him on our spotting trips in the Fifties and early Sixties, but being two years his junior made a lot of difference at that age.
However fast-forward to the present day and the two-year age gap means diddly-squat. Not wanting to put too finer point on it, once you get past the 'Big Six-0' and your Seventieth has come and gone, you become acutely aware of your own mortality and the old cliché 'life's too short' carries a lot more clout in the autumnal years of your life. Not that I'm complaining, I thought I'd be pushing up daises by now, so I'm grateful I've got this far.
However, had anyone asked me ten years ago what my plans were for retirement, the last thing on my mind would be running a railway website, but having reached retirement age I've spent many enjoyable hours strolling down memory lane back to spotting days. Then in 2007 I decided to build a website to showcase some old rail photos and to provide a platform for anyone else willing to share their train spotting memories on the web.
Since then the site has just grown and grown, though I couldn't have done it on my own; it's all thanks to dozens of writers and photographers - kindred spirits each and everyone - who've dug out their prized negatives, prints and slides for publication on the Internet. 
Indeed, I'm grateful to every single contributor, the majority of whom are pensionable age and have succeeded in embracing this new fangled digital technology - not easy when you can't remember what you did two minutes ago! Above all else, they've abandoned the old-fashioned notion that publishing their photos on the web will somehow reduce the currency of their work…it doesn't!
The Internet provides a perfect showcase for anyone genuinely driven to give something back to their hobby; in fact everyone has willingly contributed to this project for its own sake with no prospect of financial gain, just the satisfaction of creation...rare qualities indeed in a world obsessed with money and cheap fame...

(Below) Following a decade-long £4.2m refurbishment, the most famous steam locomotive in the world returned to the main line in February 2016. Class A3 60103 Flying Scotsman made its inaugural run from London to York in a blaze of publicity to mark the start of its UK summer tour, however due to the high number of over-zealous steam fans (and the general public) trespassing on actual running lines, Network Rail have issued a warning HERE in a bid to reduce the risk of personal injury and further disruptions to scheduled rail services. The upshot is, a decision has now been taken not to release the exact timings of trains hauled by 'Flying Scotsman' in advance. Here 60103 sneaks through Marsden with a BR Mk1 support coach bound for Crewe Heritage Centre on Tuesday 7th June 2016; the trip was posted simply as a rolling stock movement.
.



                  NEW TO THE INTERNET? HERE'S A FEW TIPS FOR FIRST-TIME VISITORS...

A warm welcome to the growing band of 'Silver Surfers' new to the Internet. You're never too
old to learn. Harking back to the old days before the World Wide Web (www) was launched in 1989, there was nothing I liked better than browsing through the pages of railway magazines…old issues of 'Trains Illustrated' and 'Railway Magazine' that I've kept in the bottom of my wardrobe for donkey's years.
Odd then that it took me so long to surf the largest railway archive in the world on the Internet. When I started with a computer back in 2007 I found the 'drag and click mouse' jargon a bit baffling at first, but once I got going it was great to log on and search through the thousands of railway sites.
Trouble is, surfing the 'communications super highway' is a daunting task unless you know what you're
doing. Over the years, the World Wide Web has become a victim of its own success, and the information overload - the sheer volume of material it contains - can take a lot of digesting.
However, the World Wide Web is a fantastic communications tool that allows people from all over the world to keep in touch via the miracle of electronic mail; it provides a wonderful opportunity to meet some really interesting people online…I say meet, you don't actually meet anyone in person, of course, we exist only in one another's hermitically-sealed world of cyberspace and simply exchange greetings on a keyboard.
Indeed there is something liberating about being online, particularly for the elderly whose mental agility
might be impaired by advancing years. As you get older the mind can play the daftest tricks…it does with me; very often I'll be in the middle of a deep meaningful conversation and my mind is like a waste paper bin overflowing with unfinished sentences because I've forgotten a particular name or word! In the most severe cases this missing word may take days, even weeks before I can retrieve it, but by then it's too late - I have no use for a word like 'Steam Cock' when I'm queuing in a supermarket.
However, the inability to remember what I am about to say next never happens to me online, but even if it did I still have the aid of a spell checker and thesaurus. Plus the 'save-draft' option is very useful as it allows me to take as long as I like to communicate via an email without lulling the recipient into a comatose state because my mind is a total blank.
Mind you I rarely get the chance to meet up personally, as David Platt and I did recently at Birch Services on the M62 - just a pair of old geezers gassing about trains, a subject very close to both our hearts. Between infuriating long pauses, I was thinking about something quite different at the time; I was trying to remember if I'd left the immersion heater on at home - it turns out that David is something of an expert on railway jigsaw puzzles and has created a new website dedicated to the subject - click
here for link. The site includes an illustration of a painting I did (left) for the Rocket 150 Celebrations at Rainhill in 1980, which was reproduced as a jigsaw puzzle along with 'Lion at Rainhill' (below). David is also the author of a book - 'Steam Trains and Jigsaw Puzzles' (right).
However, a word of caution when surfing the World Wide Web…it's simply a matter of using your noggin; indeed you're probably an open-minded sort of person in the normal way, but really - would you want to invite every Tom, Dick and Harry to access your bank account and rummage through your private life? No, me neither. There are countless websites that deal with internet security…it's worth taking a peek at this link below just to be on the safe side... 
https://www.getsafeonline.org/protecting-your-computer/safe-internet-use/
Also there has been a lot of bad press lately concerning the harmful effects of the Internet, such as the rise in cyber crime and bullying trolls, and in particular there is a lot of criticism about the way the Internet provides access to evil child pornography and other online extremism.
This was brought to a head recently when Sir James Mulby, the country's most senior family law judge, commented - 'The Internet allows anyone, effectively at the click of a mouse, to publish whatever they wish. The consequence is that the Internet is awash with material couched in the most exaggerated, extreme, offensive and often defamatory terms, much of which has only tenuous connection with objectively verifiable truth.'
Strong words indeed, but he does have a point.
However we must not forget that there is also a fantastic amount of good things to be found on the Internet. It gives everyone super-quick access to every subject under the sun, which, for a serious student seeking the definitive answer to even the fuzziest question is a real boon.
Of course, this new-fangled digital thingamajig called the Internet will look completely alien to the first-time silver surfers, who've probably spent their whole lives traipsing back and forth to and from the public library scouring for books and think the Internet is far too complicated for them to master.
Oh, but master it they will. It's simply a matter of getting your head around all the nonsensical jargon...for example, if we turn the clock back to the days before we had computers, a 'hard drive' was a long trip on the road; 'memory' was something you lost with age; a web was something that spiders spun and a 3½" floppy - well, that's nobody's business but your own!




                                            ARCHIVING THE WEBSITE

By the end of 2015 the site hit a BIG snag! It had just grown and grown over the years and it is now full to bursting, but since I had used up Mr Site's maximum permitted one hundred pages I was stuck in the middle with no place to turn. In short I had lost the plot! 
Then like manna from heaven, at the beginning of 2016 the British Library sought permission to harvest the contents of the site for archiving in the UK Web Archive. It was the perfect solution to my problem because what makes the UK Web Archive so special is that many of the sites they have harvested contains information no longer available on the equivalent 'live' site on the web, or indeed perhaps the 'live' site has been taken down and may no longer exists? In which case the UK Web Archive is likely to hold the only copy that remains available for future generations.

(Right-Below) Memories of Ian Allan ABCs - Click HERE to visit Dave Rowland's 'Famous Ian Allan ABC Books'…a lovely website and beautifully illustrated, featuring the covers of every conceivable spotters' book published…the site is a veritable trip down memory lane. (Below) It will soon be over! Memories of the final months of BR steam, by which time only one member of the Class 7MT 'Britannia' 4-6-2s remained in traffic. Here a group of enthusiasts both young and old gather around No 70013 Oliver Cromwell pausing at Rochdale station with the GC Enterprises 'NW Circular Tour' on 28 April 1968. 



In the final analysis since this website is now being archived by the British Library it gives me the chance to free-up space and make wholesale changes...there is a huge amount of material to be added! However, no content from this site will be deleted until such time as I am sure it has been fully harvested. Please note, the archived version does not appear in a search engine therefore links are provided where appropriate.
Please also note - websites usually go off-line whilst maintenance work is carried out or other changes are being made, but in view of the size of the task (it will take several months) it was decided to remain online - after all, there's nothing to hide. I just hope the changes do not spoil your viewing..

                                              CHANGING ATTITUDES...

Those were the days my friend,
We thought they'd never end,
We'd sing and dance forever and a day,
We'd live the life we choose,
We'd fight and never lose,
Those were the days, oh yes those were the days.

The lyrics of Mary Hopkins's 1968 hit song 'Those Were The Days' will ring a bell with my generation…the Swinging Sixties were the best times ever to be a teenager…but as the saying goes, all good things come to an end, as it did for me back in the mid-Sixties..
Oh dear, there isn't a day goes by that I haven't kicked myself for deserting the hobby when I did; but by the 1960s I'd reached the age when a pubescent boy matures into a teenager very quickly, the girls even quicker; heads begin to turn, eyes start to roam; everyone is sizing one another up. 
I remember a group of gangling girls in the 1st year at school whose 'stick insect' legs led to a stream of crude jokes by boys; it was a horrible thing to do and I'm ashamed of myself now, but the tables were dramatically turned three years later when, by some miracle of nature, the girls morphed into the sexiest creatures on two legs in the school's fourth year…well you notice these things at that age, don't you?
Indeed you do. Once an adolescent is smitten by testosterone and every other hormonal imbalances his journey into adulthood is fraught with problems.
A major flaw in every boy's genetic makeup is a natural deficiency in personal hygiene; a soap and water allergy that goes back years. Truth is he's in dire need of a hot bath to neutralise bad odours; a process not dissimilar to fumigating a blocked sewer. But no sooner is his ordeal over and he'll cheerfully douse his hair with a dollop of dad's Brylcreem and skedaddle off in hot pursuit of a bit of crumpet in the local park.
Alas, no sooner have these carnal urges kicked-in and the unthinkable happens; a boy's commitment to train spotting goes downhill fast. It happened to me back in the mid-1960s, by which time Mary Quant's mini skirt was at its height and the rank and file of BR steam had sunk to a new low; indeed things got so bad that the decision to desert the spotting brotherhood was a relatively easy choice to make and many youngsters hung up their anoraks without any rational thinking or sensible weaning-off period. I certainly had no problem at abandoning ship. Maybe it's because I'd picked up on the snide comments behind my back in the school playground? Girls were saying that train spotters were a bunch of sissy kids!
Oh puh-leeze!
Okay, perhaps my comeuppance was long overdue after dishing out 'stick insect' taunts all those years ago, but to question a boy's macho credentials at such a sensitive age was equally as detestable. Back in the dog-eat-dog world of a 1960's chidhood, long before politically correct demands were placed on children, the school playground was a ruthlessly competitive place ruled by peer pressure and predatory bullies not too far removed from prehistoric cavemen in the Palaeolithic period. This forced a lot of youngsters into making a no-nonsense, spur-of-the-moment decision on what his heart desired the most - chasing dirty steam locos (virtually clinging on for dear life) or curvy girls?
It was a no-brainer. The clear winner by a mile was girls, the loser being his motley collection of Ian Allan enamel badges and prized ABCs which he unceremoniously dumped out of sight never to be seen again, and that was the end of that!
Now I am not about to launch into some rabid tirade or play the self-pitying old geezer wrapped up in victimhood, I'll leave that to the stick-insect girls whose lives I made a misery all those years ago, but I will say this…sadly there is a disturbing trend - more so in today's unforgiving society - where train spotting is considered immature, and in many ways this is true on the surface, but delve a little deeper and you'll discover a very complex and wonderful hobby. Perhaps the anorak bashers will get a clearer picture on this website...
RIGHT! Enough waffling from me...down to business...


                                            NEW PAGES and UPDATES 

 

Three new pages have been added, starting off with Terry Sykes's 'In and Out of Trains', which is an appropriate title for his page and I wish I had thought of it myself. Each and every one of us will have 

at 

one time or another experienced the ebb and flow in our passion for trains and railways, whether it be an allegiance to steam or a penchant for more modern diesel and electric traction…however the appeal of trains frequently comes and goes, but it never leaves us entirely. Terry's fascination with trains began in the West Riding of Yorkshire during the 1950s when the majority of small boys shared a passion for train spotting. It started off as a relatively simple hobby at first, little more than jotting down a few engine numbers at his local station at Saltaire near Shipley until it dawned on him that spotting the same old engines time and time again was a fruitless exercise and a wider search began in earnest. His parents were badgered for permission to travel further afield, but wisely no mention was made of the hairy escapades his trips involved, often pedalling mile upon mile on push bikes to faraway places and climbing over perimeter walls to gain access to engine sheds. Of course, trespassing on railway property was downright dangerous and I am not making light of it here, however certain allowances must be made for young boys, who, by their very nature have yearned for adventure since time immemorial; the prospect of exploring new places has always been in a boy's makeup, and this included a generation of post-war 'baby boomers', whose memories of chasing trains in the 1950s are remembered as a life-changing experience...click on image (left) to visit the page.


(Right) When I first posted this shot (courtesy of Rail Pictorial.com) on this site, I stated that WD 2-8-0 No 90517 was arriving at Skipton with the Tilcon train from Rylstone on 27 September 1963.Wrong!
I am advised by
FW (Bill) Smith, then signalman at Embsay station in 1963, that it is not a Tilcon train. Bill writes - 
'On checking my 1963 diary I see I was on duty at Embsay station box that morning, and this was a special train of ballast hoppers from the Skipton Rock Company at Embsay destined for New Hey in Lancashire. I signalled this train out at 9.55am that morning. Special ballast trains from Embsay were common at this time mostly on Thursdays and Fridays for reballasting work at weekends...'
Thanks Bill, corrections are always welcome, and thanks also for all your hard work in creating your new page featuring the railways of Wharfedale...your memories of the old days are priceless!
Click on image (right) to visit the page...

(Left) Derek Dean's memories of the ex-GWR 'King' class locomotives begins at Birmingham Snow Hill station when he was a small boy in the early 1950s.
He writes - 'The 'Kings' were exceedingly photogenic, having clearly defined lines; the immense boiler topped off with a neat, not over-sized chimney and the bulbous smokebox door created an impressive look that distinguished the class from the 'Castles'.
The unique leading bogie with its all-powerful looking front stretcher frame and outside bearings, coupled with the diagonal lines of the main frames enclosing the inside valve chests enforced a look of pure solidity that had no equal on the Western Region…'
For the benefit of the discerning railway modellers,
beneath every picture on the page is a list of 'BR Modifications' numbered 1 to 10 which cover such things as the fitting of a raised step over the inside cylinders below the smokebox to the re-positioning of the mechanical lubrication unit, and each listed modification is tailored to describe the detail differences that are visible in the photo taken on a particular date as quoted in the captions. 
Click on image (left) to visit Page 24.

(Right) Another major contributor to this site is former Southern Region engineman, Geoff Burch, who is largely responsible for the content of the BR Southern Region pages 30-37 (see left-hand menu). Following the success of Geoff's first book 'The Ramblings of a Railwayman' (published in 2011) Geoff has decided to self-publish a fully Revised 2nd Edition. The new A4-sized hard back contains 196 pages and is lavishly illustrated with over 300 BW and Colour photos of BR Steam, including many previously unpublished shots taken by Peter Trinder, the late David Salmon and Richard Greenwood MBE. This is an Absolute Bargain! Only £20 + £5 P&P direct from the Author. Click on inset (right) to visit Geoff's 'Rambling Railwayman' website for further details..

.





We start off with Rail Cameraman, Simon Lathlane's page HERE; one of the few enthusiasts I know who has the knack of finding jewels of photos where nobody thinks to look; his collection of old glass plate negatives are especially interesting as they reveal a standard of railway photography from fifty-odd years ago that few of us can hope to rival - and let's be honest about this, considering what's on offer in today's high-tech digital age that's saying something! 

Simon writes - 'This lovely glass plate (above) of ex-GC B3 Class No 6167 'Lloyd George' was taken at Marshmoor near Brookmans Park; the date on the sleeve is 1925. Built at Gorton Works in September 1920, No 6167 was withdrawn in December 1947 and none of the class made preservation. Interestingly, the photo shows No 6167 without its nameplates; these were removed in August 1923 on the order of Sir Frederick Banbury, then Chairman of the Great Northern Railway and a strong opponent of the 1923 railway grouping.  At that time David Lloyd George was Prime Minister when the Railway Act was passed, leading to the grouping of the rail companies into four major concerns. David Lloyd George fell out of favour with the British public due to concerns that he had traded honours in return for political advantage. The nameplates were later discovered in a partition at Kings Cross in 1963 when Top Shed was demolished. Finally, I think the identity of the train is the 'Harrogate Pullman', forerunner of the 'Queen of Scots' service in1928. The Harrogate Pullman train started in July 1923 with a schedule time of 3 hrs 25 minutes, which at that time was the longest non-stop run on the LNER. 

(Below) The photographer certainly knew a thing or two about composition when eyeing up this shot of LNER Gresley A1 Class 4-6-2 No 2552 'Sansovino' at Potters Bar in 1926…what a superb picture! Built at Doncaster Plant (Works No 1608) on 11th December 1924, No 2552 was allocated new to Kings Cross for fifteen years before a transfer beckoned to Neasden MPD in 1939. Rebuilt from an A1 Class to an A3 Class in September 1943, the locomotive had a long spell in the north-east during the 1950s based at Gateshead, Darlington and Heaton; this was followed by a move to St Margarets on the ScR before returning to Heaton where she was withdrawn from traffic in May 1963 and cut-up at Doncaster Works that same month....'  Thanks Simon...the latest fantastic new photos have been added to your page. If you are a first-time visitor to this site, you will find a marvelous collection of glass plate negatives covering the 'Big Four' railway companies on Simon's page...not to be missed! They are quite superb! Click HERE to visit the updated page 73...





(Above-Below) I have recently been contacted by Garry Hall, whose interest in trains began as a toddler in York, where his father used to take him on long walks past the famous Rowntrees factory to watch the company's steam locos and then on to Bootham Junction where the line to Market Weighton diverged from the York-Scarborough line. In those days there was a plentiful supply of B1s and B16s working excursion traffic to Bridlington, Filey and Scarborough on the Yorkshire coast. By 1961 he had acquired his very first Ian Allan Combined abc costing the princely sum of 10/6d from York station's WH Smiths, and after leaving York Technical College on Tadcaster Road it was inevitable he would end up working on the railway; in August 1968 he started an apprenticeship with British Rail as a sheet metal worker at the York Works Training School, coincidentally the same month that steam finished on BR. Garry talks about his 27 year-long career at the Carriage Works on the Holgate Road site, which came under the auspices of BR/BREL (British Rail Engineering Ltd) during the 1980s. Being an avid railway modeller, he loved every minute of being a railway worker, especially as it involved producing many precision models of the vehicles that rolled off the production line at the Carriage Works, including the Class 150 Sprinters. Click HERE to read Garry's story on the revised 'Rail Centre York' page.

(Below) Website proprietors will tell you that the most rewarding part of building a site comes from its creation and then (hopefully) propelling it forward to achieving bigger and better things. But this demands 100% commitment and keeping tabs on even the smallest detail such as informing visitors of the latest site updates, otherwise what's the point in updating! 
It occurred to me that this happened some weeks ago when I failed to mention uploading a super collection of photos taken by Charlie Verrall on a new 'BR Southern Region - 9' page HERE. Charlie Verrall is perhaps better known as 'Pondhopper1' on Flickr's online photo management facility; indeed the quality of 'top drawer' railway photographs to be found on the Internet is getting better by the day. 
Charlie's interest in trains began at a very early age. His grandfather was a footplateman on the London Brighton & South Coast Railway (LBSCR) and Southern Railway, and his uncle was on the footplate with both the Southern and BR, plus his father was also a railwayman - so it's not surprising that he would follow family tradition. He began working for British Railways in 1953 and the page features many fine pictures, including his oldest surviving negative (left) of ex-Midland Railway 0-6-0s 58137 and 43829 at Cricklewood shed on August 2nd 1950. (Below) The 11.48am Engineers train from Three Bridges to Eastbourne is double-headed by N Class 2-6-0 31813 and U1 Class 2-6-0 31897 between Haywards Heath and Wivelsfield on February 24th 1962





(Above-Below) Another update is Peter Thorpe's new 'Railway Cameraman' page, which, I have to confess, is one of my favourites because it features a number of railway photos taken at lineside locations I am familiar with along the Aire Valley line between Leeds and Skipton. 
His shots of 
steam days at Shipley remind me of my own reconnaissances with a camera all those years ago, however Peter had the good sense to secure a lineside pass which gave him access to areas within the triangular junction at Shipley to record some memorable scenes. 
This includes the shot (above) of Carlisle Kingmoor shed's 'Clan' Class 6P5F No 72005 Clan Macgregor getting away from Shipley with the 3.40pm Bradford Forster Square-Carlisle stopping service. On the left is Shipley-Bingley Junction signalbox which closed on 25th June 1994 on completion of the first phase of the changeover from traditional mechanical semaphore signalling to colour light signals along the Aire Valley line between Leeds and Bingley. The complete changeover to colour light signals went beyond Skipton to the new fringe box at Hellifield and brought an end to eleven Midland signalboxes along the route. Shipley-Bingley Junction box was dismantled and moved to the KWVR the next day and it is anticipated it will be commissioned in time to celebrate the 50 year anniversary of the opening of the Keighley & Worth Valley Railway in 2018. 
(Below) This shot was taken from the window of Shipley-Bingley Junction signal box of Carnforth's Jubilee class No 45592 Indore heading a rake of empty coal wagons through Shipley-Bingley Junction on 25 April 1964. Click HERE to visit Peter's new page…





(Above-Below) Geoff Burch has recently updated his 'BR Southern Region 5 (Page 34) with a gallery of Southern Region photos from the Alfred James Temple Collection. However, not all the locations have been identified, including the whereabouts of this shot of N Class 31870 hauling a freight somewhere on the South Eastern Section.
Geoff contacted members of the ' Old Railway Buffers Southern Types' Facebook Group, where Don Clarke replies that he thinks the photo was taken on the down line just south of Sevenoaks tunnel, however Jim Rowe suggests it could be the eastern end of Sevenoaks tunnel, but added it does look a bit built-up for the period, however all are coasting so on an easy grade. Both Graham 'Inky' Penn and Kevin Auger think it is Polhill; 
adding that it looks like the sweeping curves from the Polhill Tunnel exit heading towards Sevenoaks. Steve Upton thinks it is the Country end of Polhill Tunnel, whereas Nigel Turner thinks it is the country end of Sevenoaks tunnel, adding that the country end of Polhill has a left-hand curve before you enter…Bob Cartwright concurs with Sevenoaks; he says the bridge carries the road from the village of Sevenoaks Weald, a quarter of a mile or so to the left. He thinks the working will shortly pick up the signals for Weald Intermediate Box, and it is prior to 1957 as no juice rail. The headcode on the 'Packet' is Victoria - Dover, so maybe a boat train….Nigel Turner suggests that the water pipe running from a well in the tunnel to feed Tonbridge loco shed can be seen on the left….Charlie Verrall (see Page 38) says the discs indicate services via different routes to Dover. Most certainly 31870 would have been a Bricklayers Arms loco, and the MN (below) is a Stewarts Lane loco, however the SE Section was not one he visited often, and certainly never to take photographs. So, all in all, the response was terrific albeit the results varied. Perhaps someone has the definitive answer? Click HERE to visit 'BR Southern Region 5' (Below) Merchant Navy Class 35029 'Ellerman Lines' at the same location. 



Also Geoff's 'Ramblings of a Railwayman 1' (Page 32) now includes sections of a map reproduced from the Railway Gazette's June 1937 electric traction supplement featuring the Southern Railway's London-Portsmouth electrification scheme. The map shows the newly electrified tracks between Hampton Court Junction and Portsmouth, the Woking to Alton line and the Egham and Staines branch - plus the positions of the substations and track paralleling huts are indicated. Click HERE 




(Above) This lovely colour image by Stuart Sanders shows us how the Britannias were turned out by Immingham MPD (40B), with 70041 Sir John Moore ready to depart Kings Cross Station with the tea-time departure for Cleethorpes in the late summer of 1961. The depot eventually had use of seven of the Pacifics until the end of 1963, with 70041 being one of the first three to arrive, all coming from Norwich Thorpe.

I'm blown away by the level of support I've received from fellow rail enthusiasts in building this website. A case in point is Derek Dean who has compiled a full history of every single BR 'Britannia Class 7MT Pacific locomotive on Pages 90-92. It has been a mammoth undertaking, and there have been times when the pair of us - just two bungling old geezers with a mutual love for trains and railways - were on our arthritic knees by the sheer size of it all. So my hearty congratulations to Derek in completing the full histories of all fifty five locomotives. The first batch constructed at Crewe Nos 70000-70024 can be found HERE. The second batch Nos 70025-70044 and third batch Nos 70045-70054 can be found HERE.

WESTERN REGION 1 PAGE...APPEAL FOR PHOTOS

Having finished his in-depth study of the BR Standard Class 7MT 
'Britannias', Derek is now turning his attention to GWR Coaling Stages. I feel sure the subject will be of particular interest to railway modellers, however the new feature will be a challenging one. Derek writes...
'I would like to appeal to photographers who may have an image or two tucked away in their cherished collections that could aid my quest for informative and historical photos. All photos will be treated with the utmost respect and reproduced on this website clearly showing the name of the copyright holder. Of especial interest are images that show the stages at Reading (81D); Newton Abbott (83A); Wolverhampton Oxley (84B) and Gloucester (85B). 
If you can help, my email contact address can be found at the bottom of 'Britannia' pages 90-92. 
Thank you in anticipation…' 

Meanwhile a start has been made on Derek's 'GWR Coaling Stages' feature, starting with Old Oak Common 81A. Click HERE to visit the 'BR Western Region - 1' page.

This tongue-in-cheek cartoon of Derek (it looks nothing like him, I might add!) features the excellent GWR Coaling Stage Kit 31635 produced by Osborne Models, similar to the working coaling stage at Didcot Railway Centre. Established in 1992, Osborns Models is a family-run business based in Bideford, North Devon; today it has grown into one of the best stockists of N gauge items in the UK. Click HERE to visit the website.  

(Below) In this shot of the now-preserved 'King' Class No 6000 King George V at Old Oak Common (81A) circa June 1949, the coal stage shelters are in good order. Originally built in 1906 they were renewed and enlarged in the early 1940s to give better protection to those tipping the coal. The shed buildings are behind the photographer, and the locomotive is stationed at the southwest corner of the coaling stage in position to reverse down to Paddington for its next duty, being allocated to Bristol Bath Road shed at this time. The coaling stage was much the same on the north side, however these tips were used for discharging lesser quality coal for use on freight turns and shunting locomotives, of which there were many in use for Paddington trains.



(Below) Whilst many rail cameramen gave up the chase at the end of BR steam days, Trevor Ermel's reconnaissances with a camera continued unabated and I am delighted to feature the places he visited during the 1970s on his second 'Rail Cameraman' page. 
Trevor begins with 'D' IS FOR DIESEL' featuring mainly green diesels during the late 1960s. This is followed by 'MORE TRAINS ON TYNESIDE' - a superb gallery of colour pictures from the 1970s with locations including Newcastle, Gateshead and the Tyne Bridges. 
Next he takes us on a five-day visit to West Germany in 1974, with some splendid action shots of one of the last steam-worked main lines in Europe, the Rheine to Emden main line; all can be found in his 'TO GERMANY FOR STEAM' section. 
Then in the mid-1970s he headed south to photograph the Rail Blue era in the 'WEST OF ENGLAND' - an evocative photographic record of mainly 'Westerns' and Class 50s in Devon and Cornwall. Back on home ground, Trevor was at the 'RAIL 150' celebrations in 1975 to give us this behind the scenes view of the exhibition and 'Grand Cavalcade of Steam' at Shildon. 
The 'EAST COAST MAIN LINE' beckoned next; featuring a journey along the route from Kings Cross to Berwick in the 1970s, with lots of colour photos of 'Deltics'. 
His latest update takes us to 'SOUTH AFRICA 1976' where steam was still very much in evidence; his photo gallery will reawaken many happy memories of BR steam sheds in the 1960s - a superb collection of 49 new photos of South Africa's steam giants. (Inset). An immaculately turned-out Class 14R 4-8-2 No 1911 has just pushed loaded coal wagons to the top. 

(Below) A fine shot of steam locos in residence at Paarden Eiland shed, with the fabulous backdrop of Table Mountain. Click HERE to visit Trevor's updated page. 



                            AND NOW FOR SOMETHING COMPLETELY DIFFERENT!

I have recently been contacted by Rail Cameraman, John Stoddart (see pages 71-72). It concerns an aspect of railway photography that rarely gets a mention on the web; I'm talking about stereoscopics, better known as 3D imaging, which is a technique for creating the illusion of depth by means of stereopsis for binocular vision.
John's friend, Ben Clifford, has scanned a number of his grandfather's old photos circa 1900-1935 for archiving purposes. Ben is pretty certain the camera used was a Richard Verascope which took 44mm square images. A similar camera belonging to the Scottish explorer William S Bruce was donated to the Royal Scottish Geographical Society by Bruce's granddaughter Moira Watson of Hamilton, Ontario. Details of the camera and case (above) can be found in 
Ben Clifford's fascinating article on Page 2.




Ben is converting the stereoscopic photos into 3D images viewable with red/cyan glasses. One stereoscopic slide (above) was taken at Liverpool Street station in 1928, and shows the famous old roof with two local trains in the foreground. Ben has scanned this slide in a significantly higher resolution than shown here, however I am advised that there is nothing to be gained in uploading a higher resolution version since a 3.8 megapixel image pair is right at the resolution of a Mac with a 1440p display, and is also just sufficient to show the grain structure of the original 40 mm square images. It should also be noted that parallel viewing without some sort of viewer is difficult, and with large image pairs almost impossible since it requires 'wall-eyed' viewing of the pair. Jack Elam, the cowboy actor (above left) would have been a natural!
Needless to say, the 3D process is a fascinating subject but I lack the savvy to explain how it works in laymans' terms. Thankfully John has kindly stepped into the breach...
He writes - 'David, although you are posting Ben's full narrative on Page 2 (link below) perhaps an explanation of 3D in its simplest form will be of benefit to the casual viewer…
The key to understanding stereoscopic imagery is knowing how the eyes actually see things and how the brain interprets what they see. Start by placing your finger against your nose. Each eye sees the finger from a different angle and presents a separate view to the brain. This is how we see everything at any distance. Obviously, the further away something is, the closer those two images coincide. The brain combines those two images into one and turns the difference between them into our sense of depth and perspective - the third dimension.
Stereoscopic photography mimics what the eyes actually see by taking simultaneous photos through lenses the same distance apart as our eyes - about 70mm. At first sight, the stereoscopic images of Liverpool Street station are exactly the same. But look carefully and you'll see that slightly more of the train's destination board is visible on the right-hand photo than the left hand one. Almost all of 'St' in the right hand photograph (presumably the tail end of Liverpool St) can be seen but it's slightly chopped-off in the left hand one.
This is how our two eyes would actually see the view and how the stereoscopic camera took it. Viewed live, our brain would combine those images to produce three dimensions.
(Left) John continues: 'Ben does have some control over the way the anaglyph is made therefore he has sent two images because the success of the 3D effect seems to vary from screen to screen; he thought he'd let you take a look at both possible alternatives. Here is the first example. Click on image to see the full size (the image will open in a new window).
In the other example (below right) it appears as if the subject material is further behind the so-called 'viewingwindow'; click-on image to see the full size; the image will also open in a new window. These differences can be controlled over quite a wide range. He could make one even deeper, but at some point the effect starts to feel less natural. 
A very close analogy can be gained from 
stereo sound systems; even though only two 
separate channels are captured, a well-engineered recording on good equipment can reproduce most of 
what we hear in real life, an audio image that goes from outside either speaker to the centre and back beyond the walls of the room so that you can actually pinpoint the location of instruments and voices between and beyond the speakers. In an out-of-phase recording you can even achieve the impression that there's sound behind the listener.
With stereoscopic images, there are three ways (more, actually, but we'll stick to 3 here) to provide that help: 1) The stereoscopic viewer (left) is designed to render a 3D image from side-by-side, printed stereoscopic images, and those designed to view them on a computer screen. 2) With practice, without a viewer, training your eyes to stare at the 
images separately at a close distance, (the Jack Elam technique) or going slightly cross-eyed. To make the cross-eyed method work, you have to switch the displayed images horizontally, i.e. put the left camera image on the right, and vice versa...in effect you are 'flipping' the two images by crossing your eyes (above right). 3) Or you can create an anaglyph, as Ben has done (below), and use 3D glasses to get a 3D effect. Anaglyphs, and the decoding glasses, come mainly in red/cyan. Older readers who saw 3D movies in a theatre about 60 years ago may recall red/blue 3D glasses. These days some people (National Film Board of Canada for instance) are also using blue/amber anaglyphs.
Ben Clifford's fascinating insight can be found on Page 2 HERE 

(Below) Mention of South African steam earlierbrings me to the NBL Preservation Group which was formed in 1990 by a small band of NBL Society members to preserve additional North British steam locomotives outside of the NBL Society's framework. 
When the Society became part of the Bucks Railway Centre at Quainton Road, it was agreed to open the Group to Associate Members and to raise funds for future locomotives by share issues.  At the present time, the NBL Preservation Group is trying to repatriate Dubs A Class 4-8-2 Tank No 196 and NBL Class 24 2-8-4 No 3647 from South Africa and is assisting Glasgow Transport Museum with its North British 15F 4-8-2 project. 
The aim of the NBL Preservation Group is to promote interest in the North British Locomotive Company and to catalogue and illustrate what has been preserved in the UK. The Group is also setting its sights on repatriating surviving North British steam locomotives from around the world, and is actively assisting the preservation of North British locomotives and artefacts by other groups and private individuals. Membership is open to all…if you wish to help the Group's praiseworthy aims you will find an application form on the Group's website HERE and check out the Group's Facebook page HERE.



(Above) In October 1991 South African Railways Class 25NC 4-8-4 No.3405 'Bethlehem' became the first locomotive to be saved by the newly formed NBL Society
.

A LIFETIME OF MEMORIES RECORDED

Creative writing can be a daunting task when you're stuck for something to say, but there are ways of getting around it if you dig deep enough; indeed your lifetime experiences are an exclu
sive commodity and so regardless of the quality of grammar and spelling, everyone has a different story to tell - and you don't have to be a literary genius either; once you get going you'll find it an uplifting exercise.
This brings me to the memories of Ian G, whose stories of the late Forties and early Fifties slot-in nicely with the content of this site because trains and railways were part of his childhood. Moreover his observations of bygone days may encourage others to follow his example and start writing their own memoirs, if only for themselves; indeed the magical thing about Ian's stories is that he writes with no audience in mind save perhaps his children and grandchildren at some indeterminate future; he wishes that both his parents had catalogued their lives for him to read. 
So, with this thought in mind, the story (below) relates to his childhood in the Midlands, but of course the setting could be anywhere. We all have memories of the view from our bedroom window...

'SNAPSHOTS IN MY MIND.'
Ian G remembers

Through my bedroom window, I could see the farm, only a field away. Next to the farm was our playing field, which was always kept as grass for grazing. In wintertime we played football, in summer it was cricket. Word would soon get around there was a game going, friend and foe would come from their homes to join in, teams would be picked and coats or stumps laid, we would have endless games and fun in abundance. This field we shared with the cows was our Wembley, it was our Oval, for a fleeting moment we became Stanley Mathews or Dennis Compton, we were Derby County and we were having fun. In summertime, games were played late into the evening, 'till failing light signalled it was time to go, gathering our coats we would wearily make our way home.
The railway line was a little further away and at least half a day would be allowed for this excursion, it was a country line used mainly by freight trains, which we children called goods trains. 'Our spot' was out in the countryside, where a small junction siding connected to a colliery spur, where two signal boxes controlled the junction and sidings. We could overlook the entire scene from a farm over-bridge, where the twin tracks stretched arrow-like into the distance, on our right, was one of two signal boxes, the other, being some half a mile distant. At this point, the railway ran through a cutting with grassy banks either side, for miles ahead the railway was fenced off from the fields by a substantial tarred-timber fence.
Coal was the life-blood of the nation and must be kept moving; there seemed an endless stream of passing coal trains. Two nearby collieries with connecting spurs to the sidings allowed loaded trucks to be brought down into the sidings, where they would be sorted and assembled into train loads. An engine and crew were on duty to assemble the trains; part of the sidings came under the bridge to the buffer stops some two hundred yards distant. A strengthening brick wall formed a convenient ledge under the bridge upon which we would huddle under the arch of the bridge as the engine shunted up and down. From a distance, the puff of a steam engine seems quite innocent, I can assure you, when the engine came under the bridge straining at the leash, there was a tremendous 'whoosh' 'whoosh' and smoke and steam would blot out everything, we would break cover and run for fresh air, eyes watering, coughing and spluttering, even the engine crew seemed to join in the fun.
At this particular spot, the engines had to work very hard pulling their loads up the gradient, the laboured 
efforts of the engine would always seem to me to be almost human, 'I can do it - I can do it,' they would snort in rhythm with their exhaust, their speed would barely be sufficient to maintain momentum, quite often it seemed to me, they would stall to a halt, but they never did. For some inexplicable reason I would compulsively count the number of trucks as they trundled by, (still do, sad) I close my eyes and see the guard on the veranda of his van, pouring overboard the unwanted remains from his tea urn, in preparation for a fresh brew.
On one of those childhood summer days, when all was warm and quiet, save for the whispering grass, the faint tingle of bells would waft across the shimmering tracks. Silent movement witnessed in the box as the shadowy signalman pulled a lever. Not far away, a signal arm would clang and point accusingly up at the cloudless sky, telling us a train was coming down the line. Sometimes, it would be a passenger train, which would canter down the gradient with its two or three carriages, this was not a line where express trains came thundering down, it was pastoral line, it was a country line.
Country railways are the same all over, for they are spasmodic places, where periods of calm are interrupted with sudden noisy movement, only to return to calm again. As the last coach went under our bridge, the signalman moved again in his box, the signal clanging back to rest.
Silence returned once more.

(Above Right & Below) Coal was the life-blood of the nation and had to be kept moving...sporting a 16C (Mansfield) shed code on the smokebox door, Class 8F 48379 heads a heavy westbound coal train at Whatstandwell on 24th May 1952. (Below) Before the new diesel multiple units were introduced on local passenger services, the elderly LMS 4-4-0s were regularly employed...this three-cylinder Compound No 41103 is heading a Buxton to Manchester Central on 12th October 1957.



MEMORIES OF KINGSWEAR STATION. 

The one beef I have about today's technology is that the handwritten letter is no longer the most heartfelt form of communication; few people can be bothered 
putting pen to paper nowadays...everyone is in such a mad rush, either blogging, tweeting or emailing one another in the cold anonymity of cyberspace, and all too often the message is abbreviated and contains little or no substance. 
Now call me old-fashioned, but an uplifting email is like a breath of fresh air. I received one the other day. It came from 75 year-old Ian G, who was telling me about his childhood reminiscences of living in a Devon seaside village
In essence, Ian was harking back to the days of his youth when at the age of 14, his family upped sticks from the Midlands and set out for a new life in Dartmouth. Over the years, Ian has compiled several strands of stories - 'Snapshots In My Mind' - which have remained filed away in various repositories of his PC, but at long last he has revived them for publication on the web and the first of his stories relating to the day he left school and starting his first job as Junior Booking Clerk at Kingsmear station is featured on the 'BR Western Region 2' page HERE





(Above) This late-May 1953 photograph shows recently-overhauled 'Castle' class No 5081 Lockheed Hudson of Old Oak Common ready to leave on the 9.05am 'Bristolian' to Bristol via Bath; on the right another Old Oak Common engine, 'King' class No 6013 King Henry VIII is about to depart with the 9.00am 'Inter-City' to Birmingham and Wolverhampton. Note both headboards are decked with Coronation Crowns. This JM Craig photo is now in the Ray Hinton archive

Ed Chaplin recently dropped a line to point out an error in identifying the train reporting numbers displayed by a couple of Cardiff Canton (86C) 'Britannias' on the 'Western Region -2' page 22
I sent Ed an email of thanks, and discovered that he has collected a mass of information on this very 
subject over the years, starting from the beginning of the system in 1934, sketchy only; then he went on to research 1939, followed by 1952 onwards.
I asked him if he would be willing to pass on the findings of his studies for the benefit of site visitors, and I am delighted to say he kindly agreed.
He writes - 'It is a worthwhile task and I shall enjoy getting more to grips with it. The system was fairly steady until the winter of 1958 when wholesale revision occurred; then again in 1959 another round of revisions took place.
To give you some idea about revisions, in 1934 the down 'Cornish Riviera' began with 125, later revised to 141 in 1939, then 160 in 1949, 130 in 1951, 133 in 1958, 416 as from 11.9.58 and 426 as from 14.6.59…all in all, quite a performance!
However, for the purpose of your proposed web page I will give you a glossary of the reporting numbers used during the early 1950s and also from 1960 onwards when the letter system was first introduced.' 
And here it is! After a stuttering start, Ed's invaluable contribution can now be found HERE on the 'Western Region - 3' page. Please note: this page is very much work in progress; a tremendous amount of preparation goes into launching the bespoke pages on this site.

(Below) This is an interesting shot of Cardiff Canton's 'Britannia' No 70029 Shooting Star awaiting departure from Paddington with the down 'Capitals United Express' circa 1957. Rather confusingly the locomotive still carries the up 'Red Dragon' number, which it had worked from Cardiff earlier that day. After being turned at Ranelagh Bridge, the usual next duty for this loco was the down 'Capitals United Express' scheduled for a 3.55pm departure from Paddington; clearly someone has forgotten to change the reporting number resulting in both train identities appearing on the one loco! This error was very unusual for those at Ranelagh Bridge depot and the loco crew, since it was a daily procedure



The input by enthusiasts like Ed Chaplin makes the compilation of this site so worthwhile; the content of the site ranges from pure slapstick to serious study of the subject, however in view of the diversity of our hobby the question to ponder is just how far should we go? Where I think the hobby is needlessly off-putting is when we take the subject of trains and railways - and ourselves - soooo seriously! 
A case in point is the scholarly email I received from an enthusiast 'in the know'. I presumed he was 'in the know' because he snobbishly deployed words and phrases to make it sound as though he was smarter than anyone else. Okay, he seemed to know what he was talking about, but the way he rubbished the elementary content of this site put me off completely.
The aim of the website is not to bamboozle, rather to entertain as well as inform...the idea is to tell the story of 'trains, train spotting and the meaning of life' in an honest and straightforward way so that it can be understood and enjoyed by everyone. 
Okay, mistakes are bound to crop up here and there...this hobby of ours is extremely complex and often full of contradictions, therefore if you do find any errors I'll willingly put them right. This is especially important since many visitors use the Internet as a source of reference and so it is essential to get the facts right. Among the most prolific contributors is ex-BR Fleet Engineer, Vic Smith, who has been a big help over the years...
My thanks to everyone concerned.

Just to remind visitors of the page of spotting memories from the 1950s and 1960s featuring the spectacular railway photographs from Mike Claxton's superb website www.railpictorial.com - a site dedicated to the memory of his brother Paul, who sadly passed away in April, 2009. 
Paul began train spotting at a very early age, and like most young boys during the late 1950s he started taking railway photographs, a natural adjunct to train spotting. To give credit where it is due, Mike has worked hard in creating this website for the simple reason that it gives enthusiasts a chance to enjoy his late brother's photographic collection online...and what a collection it is! Rarely have I see such quality and in such high numbers on one website - 7,500 images and counting! This is a private glimpse into Paul's negatives of steam days as he saw it during the 1960s. Needless to say, I am a big fan and a visit to Mike's site is highly recommended. Click HERE to visit the page...



(Below) The 'Pilot Scheme Diesels 1' page has been updated, or perhaps I should say it's been revised since the content is the same, but new photos have been added. The page gives some idea of the different locomotives ordered in the British Transport Commission's (BTC's) 1955 Modernisation Plan. After the plan was announced, the 
initial order for pilot scheme locomotives was followed by orders for basically similar locos in the production fleet, which gave rise to many generic types for what was intended to be a fleet of a standard classes. The Brush A1A-A1A fell into the 'Type 2' category and was largely modelled on the 25 locomotives built for the Ceylon Government Railways, with the six-wheeled bogies (the inner pair were unpowered) altered to British standard gauge. The bogie combined a leaf and helical springing to improve suspension and ease the axle load, which gave the locomotive the widest possible route availability throughout the BR network. Still in brown undercoat, the first of the company's twenty pilot scheme Type 2, No D5500, is on a test run from Derby to Chinley on October 10th 1957. The test equipment was sited in one end cab hence the locomotive had to be turned on the Chinley  turntable before returning to Derby. Click HERE to visit the revised page.  



(Right-Below) Following the success of Richard Greenwood's 'Up North in Colour' on page 53, we decided to do a follow-up page appropriately named 'Down South in Colour' on page 87. Richard first encountered Southern steam at London Victoria during a school trip to Switzerland in 1953 when he saw Bulleid Light 
Pacifics and, on one occasion, the up Night Ferry. 
In 1961, Richard attended the old Gibson and Weldon cramming college at Guildford in readiness for sitting the Law Society finals examinations. The course lasted from 31 May until the end of October, which gave Richard his first chance to photograph BR Southern Region steam in colour. From his digs he passed the station and shed en route to lectures and every Wednesday afternoon plus weekends were free. During this time he took well over 500 black and white photographs and some 150 colour slides, including this shot below of H class 31521 on a motor train for Tunbridge Wells and Oxted. Perutz had just introduced their new colour slide film which was faster than others available. It yielded pleasant images and although the pictures have suffered from colour-degrading over fifty years, auto colour correction in Photoshop has brought them back to their original  quality...  Click here to visit Richard's new page....





(Above-Right) Meanwhile Geoff Burch's page has been updated courtesy of Rae Woodford (a fellow fireman at Guildford shed) who has kindly allowed Geoff to publish some classic SR photos from his collection, including this one (above) of 'N' Class 31862 at Ash Junction in May 1960. 
The photographer is railwayman, E.C Griffith, who was based at Farnham. Click here to visit Geoff's updated page 32. 
Also I must mention some of the new pages on this site, starting with Roy Lambeth's 'Steam on Shed' and 'BR Railtour' stories which can now be found on three 'Rail Camerman' pages 61-63. 
Similarly, John Stoddart's witty anecdotes in his 'Lines Through a Life' and 'Steam Heaven, Scotland 1964' have been added to pages 71-72; indeed all twenty two Rail Cameramen are now featured together on pages 52-74. 
Mention must also be made of Fred Wagstaff's rum stories from the footplate and his railing against authority - 'they-don't-like-it-up-em, you know!' 
His tale begins during steam days at South Blyth Shed through dieselisation to ECML electrification; all are now grouped together on five pages 76-80, whilst Phil Hodgett's superb 'Cowpen & Blyth' page and Ed Orwin's 'Blyth Station' model railway project can now be found on pages 83-85. 
Other recently updated pages include 'Barry Hilton's BR Railway Roundabout 1' on page 86 plus the 'Train Spotting 2' page 5 features pages from Jim Oakley's spotting notebook showing the locos he spotted during visits with the Nothern Railfans Club to the ScR. The tour began with a visit to Motherwell (66B) followed by Hamilton (66C); Kipps (65E); Parkhead (65C); St Rollox (65B); Polmadie (66A); Eastfield (65A); Dawsholme (65D); Yoker (65G); Cockerhill (67A) and Greenock (66D) ...indeed, this trip produced the most 'cops' he'd ever had in one day - 663 in all!  Jim's notebook is a veritable snapshot in time.



(Above-Below) The 'Doncaster' Page 7 and 'Tebay, Lune Valley & Shap' Page 13 have been updated with excerpts from Mike Claxton's www.railpictorial.com, a superb website dedicated to the memory of his 
brother Paul, who sadly passed away in April, 2009. Mike has created the 'Paul Claxton Collection' so that enthusiasts can enjoy his late brother's extensive range of railway photographs online - and what a collection it is! Rarely have I see such quality and in such high numbers on one website - currently standing at 7,800 images and counting! 
Incredible! 
Needless to say, I am a big fan and a visit is highly recommended. However, should you download copies of any of Paul's photographs then it would be appreciated if you would make a donation to the Trinity House Hospice, Blackpool who cared for Paul in his fight against cancer. A click-on link is available on Mike's site...it only takes a couple of minutes! 
Click here to visit the Tebay page and Click here to visit the Doncaster page



(Below) I make no secret of the fact that I disliked the Rail Blue era…BR's new Corporate Identity Scheme effectively removed all last traces of any individual character from our railways. Odd then, some forty-years later...the Rail Blue diesel era now looks strangely appealing! You'll find lots of colour shots on Trevor Ermel's page, including many featuring Class 55s working the East Coast Main Line out of Kings Cross during the 1970s. Trevor photographed this scene (below) of passengers alighting from a Bishop Auckland DMU at the north end of Darlington station, whilst Class 55 No 55017 departs with a northbound express on 16th August 1975. Trevor's reconnaissance with a camera includes a fine selection of colour photos of trains both at home and abroad - a visit to his page is a definite must here





(Above) Four additional 'before-after photos' have been posted on the 'BR Rail Photo Workshop page 75. I mention it here because image manipulation - or, as I prefer to call it, photo enhancement - is often 
frowned upon by the old school. 
One of the biggest concerns is the way it is misused by the fashion industry; it raises the issue of ethics and how far you can push the boundaries of digital image manipulation, such as tweaking a pencil-thin model's body shape or removing an unsightly spot, and still maintain an acceptable level of integrity. 
For example, photo manipulation creates an illusion, which, by its very nature is a deception, yet Adobe Photoshop is a wonderful graphics programme  - a veritable computer darkroom - all of which supplies every conceivable tool you need to work on a picture...and this includes repairing old photographs too. Click here to find out more...



(Above-Below) All in all, the pages on this site are very much 'work in progress...including daily updates, plus several new pages have been added or are currently in the planning stage. Where will it all end? Well, just as long as you keep on visiting we'll keep on updating...this includes another recent update of Rail Cameraman, Richard Greenwood's 'Up North in Colour' page HERE
When Richard first selected the colour 
slides for his page, he concentrated on interest and quality rather than telling a story, certainly not a full story. So some classes were neglected, represented by just one shot even when there were other images possibly worthy of inclusion. 
So to rectify matters a postscript has now been added with a few more photos, which, for one reason or another, missed the first 'cut'. Richard made an arbitrary but reasonable decision that anything north of Birmingham should be considered 'Up North', and of course 'Down South' (to us 
Northeners) is beyond Birmingham. This has allowed the inclusion a small selection of GW locos on the page as the GW ran to Birkenhead and, at one time, had through workings to Manchester Exchange. Here is a view of Chester General on 23 August 1960, with 'Castle' class loco 5089 Westminster Abbey which had worked a through train from Paddington. (Below) Shrewsbury was where the many summer holiday extras from the North West to Devon and Cornwall resorts changed engines for Western Region locos. Here two northbound extras are ready to depart after the WR locos had been taken off, however to find a Class 6P5F Crab No 42859 still entrusted with one of these heavy trains in 1963 was a bit of a surprise.





(Above-Below) The Doncaster Page 7 has been updated, and includes this evocative image from the NRM's archives of the Erecting shop at Doncaster 'Plant' on 8th April 1957. The National Railway Museum in York has a collection of 1¾ million photos covering the history of Britain's railways from 1850 to the present day. The NRM's archives are currently being digitalised to make them available to a wider audience and preserve them for the future - more images like these can be found on the NRM's 'Doncaster Photos' page here - a visit is highly recommended…(Below) Footplate Cameraman Jim Carter's study of both red and green Duchesses in residence at Edge Hill shed evokes memories of how things were. Click here  to visit the first of three JR Carter's Rail Cameraman pages 66-68



                                                 






(Above-Below) The Class A4 is a major source of international pride for rail enthusiasts and I suspect the country as a whole - the streamlined front-end design is on a par with the sleek shape of Concorde and every young man's dream sports car, the E Type Jag (for those old enough to remember)
And so it was wonderful news to hear that two expatriate Class A4s Nos 60008 and 60010 have found their way back to Britain to celebrate the 75th anniversary of their sister, 60022 Mallard, which secured the world speed crown in 1938. (Above) A4 Pacific 60008 'Dwight D Eisenhower' at Kings Cross on 15th June 1962. You can read more about the repatriated A4s on the 'Rail Centre - York' page. (Below) Full marks to the NRM, for it is due to the sterling efforts of the staff at the National Railway Museum at York that the A4 duo are now back on home soil. The museum not only houses the largest collection of railway objects in the world, but admission is absolutely free - a good excuse to take the Missus and kids for a brilliant day out! Click here to visit the excellent NRM website.





(Above)
Railway photographers are creatures of habit, invariably taking the traditional three-quarter shot a train to the exclusion of almost everything else in the surroundings. However, this ER Morten shot of Johnson Midland Class 3F 0-6-0 No 43612 at Gowhole Sidings with a heavy goods train on 21 April 1951 is refreshingly different since it shows the hustle and bustle of a busy railway yard chock-a-block with various loose-coupled freights. With a tractive effort of just 21,010lbs and weighing no more 43 tons, the Class 3F will require the help of a banker and the provision of four brake vans to assist the engine crew over the steeply-graded Peak Forest route to Rowsley.



(Above-Below) With the onset of dieselisation some 10-odd years later, the new generation of rail cameramen faced the task of making their pictures more interesting - photos of diesels on their own are nowhere near as photogenic as those of steam - hence the inclination to embrace more of the railway infrastructure, even when there are no trains! (Below) Of course there is always the surrounding scenery as shown in this shot of the upper Aire Valley line at Steeton between Keighley and Skipton in the 1960s. Beneath it are two more: Aller Junction at Exeter and Slaithwaite near Huddersfield. Whatever the difference in photo-technique, however, the results are exactly the same - it records the railway scene for posterity
.









                                             RAILWAY ART GALLERY

I have recently been contacted by 76 year-old Alan Shillum, an ex-Daily Mirror reporter, news editor, finally managing editor, who since retirement on Mersea Island in Essex, has taken up art as a hobby in a variety of mediums and subjects.
This superb pencil drawing 'Good Companions' (below) was inspired by a Jim Carter photo that Alan found on this website. Measuring 18"x12" the drawing was done in 2b,3b,4b pencils on white picture mount card.
Harking back to his childhood days as a train spotter, Alan writes - 'I am still learning (art) and have a go at steam locomotives from time to time because to me they are aesthetically the perfect marriage of form and function. They are also a great challenge...'
....and very worthwhile, I must say...creative work takes a long time and a great deal of patience, but the results are very rewarding; indeed if anyone else is creating pictures of British trains and railways in oils, water colours, pen line, pencil or charcoal etc - I will be delighted to post them on this site for the whole world to see. My email address is at the bottom of the page
...

                                           SOUTH AFRICAN STEAM by Craig Duncan

Born in Inverness, Scotland - and proud of his Scottish birth - Craig Duncan now lives in South Africa; he writes...
After inheriting a small box of oil paints in 1978 I began to dabble. I found the discipline of oil painting captivating and began to explore the techniques of composition, perspective, colour mixing, brush control, textures and so on. It was natural that my lifelong interest in railways would soon marry to this newfound medium of expression. Although my first painting was reasonably successful later critical analysis would reveal its flaws such as brush control being too tight etc. This painting now survives 6000 miles away in Earby, Yorkshire!
As paintings started to flow from the easel some seemed worthy of framing. Eventually I would have standing orders with wholesale framing suppliers from where the materials would be transported home, mitred in the workshop and then assembled on a table tennis top in the playroom; almost a home industry. The house soon became a personal art gallery and thankfully appreciated by my wife. In fact we developed a routine whereby she studied while I painted and the studio would reek of turpentine and pipe tobacco.
In mid-March 1991 I received a fax from a friend with an attached entry form for a forthcoming exhibition titled 'Brush with Steam' to be held at the prestigious Total Art Gallery in Johannesburg. A maximum of six paintings could be submitted from which selections, if any, would be made. Those dreaded words 'Curriculum Vitae' was also a condition. So these would all be professional artists but even worse it would be hosted by David Shepherd, someone who everybody had heard of; but only my wife had heard of Craig Duncan. With only a red face to be gained I plucked six paintings off the wall and, together with the required documentation, quickly dropped them off at the Transnet selection room haunted by those misgivings 'Am I out of my depth? 'and 'Is my framing up to exhibition standards?'
To my shock I was only one of two artists to have all six selected for showing, the other one being a well known TV personality renowned for his works. The exhibition was held June 4-18 1991 and there were 53 paintings on show representing 27 artists. On the opening night it was strange to see one's work hanging on alien walls and in exalted company; even appearing in a television programme which my wife would record.
The favourable media reports about my work was a great boost and so I decided to contact all exhibitors with a view to forming a society that would promote railway art in South Africa.  I had a brief discussion with David Shepherd during a steam festival and exhibition at Kimberley in early August 1991 and on the 12th October an inaugural meeting was held.
After much help from the Guild of Railway Artists in the UK in drawing up a constitution we held our first general meeting on 29th February 1992 during which I was elected Chairman. And so the Guild of Railway Artists of Southern Africa was born. On 20th July 1992 we were granted affiliation to the GRA in the UK. We had 40 members and began to organize exhibitions in various parts of the country.
Amid all this on the 18th June my wife met a tragic death. For me this proved to be a completely demoralizing factor and with the impetus gone my brushes fell still and the Guild would fold as quickly as it had begun.
However a few years ago I decided to dust down the easel and add my own version to a couple of black and white photos. Surprisingly it all came flooding back and I found that I had produced two of my best ever paintings, and in double quick time. It proved that a leopard never lose its spots.
Another lesson learned over time is that we are our own biggest critics and the perfect painting forever lies a bridge too far. Of some 50 paintings produced over the years 17 were commissions or sales. Belgian canvas was stretched on 20x45 mm mitred supports. Occasionally the canvas would require dampening to obtain a drum tight surface, but without a cropper and underpinner I found production of the outer frames somewhat time-consuming. Some of the recipients still express their pleasure which tends to suppress the inner demons that can lie within an artist...

(Above Left) The embryo stage for many of my paintings. I would sometimes uplift using a rule or sometimes a pantograph then sketch further detail on the canvas. All paintings have a canvas size of approximately 600 X 900mm.




(Above-Below) Germinston Depot...many hours were spent at this location. I had a two-monthly renewable permit and have noted 200 steam locomotives during my Sunday visits there. The positioning of the pole was deliberate to cock a snoot at the purists. Most of my paintings bear an engraved brass plaque denoting the title. (Belw) These were the feeding troughs for the monsters. Coal trucks were taken up the incline and the contents emptied into hoppers from which chutes would discharge into waiting lines of engines on both sides of the dock.





(Above-Below) Free State freight. Two 25NC's hit a straight line grade in the Free State. A trail of smoke could be seen from miles away and seemingly hang forever in the still and cold morning sky. (Below) A montage to pay tribute to the drivers and firemen who were the masters of their beasts. I have driven some, albeit for short distances, hence my admiration and esteem.





(Above-Below) This painting of a morning train leaving Bloemfontein met a sad end. It was damaged beyond repair when trying to remount it. So all I have is a photograph...sound familiar? (Below) 'Lady of the Loch' was the title on the engraved plaque added after I had framed it. Another gift to lifelong friends, it represents the pier end at Balloch, Loch Lomond and is a deviation from the normal railway subjects.



                                             LIVERPOOL MEMORIES by Don Fogg

Don Fogg is another artist to make contact; he writes...
'Hi David, I have spent many happy nostalgic hours perusing your site, I was a train spotter from about 1958 at Edge Hill (8A) in Liverpool before moving to aviation in the Sixties but remain besotted by steam locos, ships and old aeroplanes. We have lived in Adelaide South Australia since 1983. I'm a teacher of Art and Special Ed. I enjoy the tantalising glimpses of your artwork - you should display more. I have been doing some pencil drawings of locos lately and have been using the web for reference. I am therefore asking you if you mind me using your pics as reference for my drawings. I'm not sure what I'll do with them but I have to get it out of my system (you probably know that feeling). I'm working on a fairly small format at present so I can scan them if you would like a look. I love the grimy Black 5s and workhorses (even Jinties) especially in tunnels or stations, very atmospheric. It takes me back to cycling from my home in Wavertree to Exchange station to see if the Glasgow arrival was hauled by a 'Brit'. I wish I'd had a camera! Happy Days! Keep up the fabulous work. Regards, Don Fogg...'
Well, true to his word Don has sent two drawings: 'Edge Hill Tunnels' and 'Sheds', both
pencil with gouache highlights on tinted paper measuring 21cm square....
Thanks Don.



(Below) Here is a painting by artist James Green titled 'Black Fives - Willesden 1963'  painted using an unusual mix of  acrylic inks and watercolour. James wasn't born until the 1970s and so he wasn't around to see the day to day running of a busy steam shed, but I feel he has captured the overall atmosphere of the end of steam here perfectly. You can see more of James' railway paintings HERE



                                              Are there any more artists out there?
                                          I'll be pleased to post your railway art here...


(Below) I do get one or two complaints from older visitors who've 'clicked-on' a page and find that it takes a long time to download.
The reason why some pages are slow is because of their huge size.
For example, if you 'click-on' a webpage containing text only it is much easier to load than a webpage of photos since it takes much longer to transmit. Many websites avoid this is by limiting the number of images. However, this website is primarily a collection of photographs and so what you are actually opening are pages full of images of steam days…
So please be patient!
Indeed if you like these pages then why not bookmark them? Or add them to your favourite list…I'm sure it will make your next visit a whole lot easier. H
appy surfing!




SITE UPDATES! (Left-Below) Having recently acquired a new Negative Scanner
I'm making a start on trying to resuscitate some 50 year-old negatives which have never been printed and are like ghosts from the past crying out to be exhumed (digitalized). Over the years the 35mm negative strips have been kept in their original sleeves and are as good as new, though quite a few seem to have been 'got at' by a mysterious fungus, including this one of an unidentified EE Type 4 at Connonley between Skipton and Keighley in March 1961.
This image was taken just a few weeks before the introduction of Type 4 diesels on the Anglo-Scottish expresses north of Leeds; it records a brief period of our railway history therefore it must be worth saving if only for old time's sake. Back in the spring of 1961, BR introduced a crew training programme involving footplate staff at Leeds Holbeck and using 'Peak' class locos between Leeds and Appleby, but on occasions EE Co Type 4s were employed.
Now it has to be said that uploading an inferior photo onto the front page is hardly a ringing endorsement of the quality to be found on the rest of ther site, but it does illustrate the effort that goes into reviving old photos in a digital format (see Page 75 here) which otherwise wouldn't get a look in on the web.



(Below) The marvel of the Internet! Whilst the World Wide Web allows you to wallow in unashamed nostalgia for the old days, it also brings you bang up to date with current goings-on...for example (below) even before the Railway Touring Company's 07-12 Crewe-Scarborough (1Z64) 'Scarborough Flyer' had reached its destination on September 3rd 2010, pictures of the train were already winging their way around the world. In the midst of delightful Pennine scenery at Diggle, Phil Spencer captures the scene of No 6233 Duchess of Sutherland seeking refuge in the goods loop beside the Huddersfield Narrow Canal. The driver is awaiting the passage of a First TransPennine Express (FTPE) before rejoining the main line a few yards short of Standedge Tunnel.



LINKS TO BRITISH RAILWAYS REGIONS
Click photos below to visit the relevant web page
.

Click on photo-links (below) for NOSTALGIA FOR THE OLD DAYS
A Silver Surfer's trip down memory lane...

THE FIRST GENERATION DIESELS

BR's Modernisation Plan didn't effect everyone. The 1960's spotting community was made up of countless thousands of youngsters, who, by virtue of their youth had no way of knowing what had gone before, so with the introduction of charismatic diesels like the 'Peaks', 'Deltics', 'Warships' and 'Westerns', the end of steam mattered little to them - and, if truth be told, even die-hard steam enthusiasts had to admire the performances of the new diesels. At the same time,  BRs decision to name diesel locomotives was a commendable policy. The fitting of bodyside nameplates and, in some cases ornamental regimental crests, upheld a tradition going back donkey's years which added a certain panache to the new diesel fleet.


 

THE SECOND GENERATION DIESELS

By 1965, BR's diesel fleet entered the much-maligned era of the 'Corporate Identity Programme' and the newly-formed British Rail Board (BRB) decreed that everything had to conform to a given standard. The BRB's design panel advised British Rail on the best means of attaining a high level of appearance by introducing a new livery for diesel and electric locomotives, passenger coaches, freightliner rolling stock and ships, along with the use of a new barbed wire logo, based upon the idea of two-way traffic movement. The diesel fleet's unimaginative colour scheme (devoid of a two-tone livery and bodyside lining) wasn't helped by the BRB's strict policy forbidding any concession to livery changes, which deprived depot staff of any incentive to take a pride in their particular traction, and it wasn't until the late 1980's that the BRB finally adopted a more enlightening approach for its newly-launched Regional Services and Sectors.

AROUND THE REGIONS - STEAM DAYS

LOST AND FOUND! This site receives a lot of requests for photos and enquiries from visitors seeking information on trains and railway, but since I can't deal with them all myself I've launched a new 'Help' facility to help broaden your own search to a worldwide audience. Over the years, more and more visitors to this site are using the 'Guest Book' page in their search for information, and I am happy to oblige. If you are seeking assistance in your own search then visit the Guest Book page, but please include your email address in the message and deal with it yourself. I am not in the business of brokering any deals, nor am I an Estate Agent...some wag recently posted a house for sale - cheeky!  But the facility has produced a result! Regular visitors to this site might recall Adam Parker contacting the Guest Book Page seeking information on a number of railway photos that he unwittingly became the custodian of. In fact, had it not been for Adam taking them under his wing the whole lot would have ended up on a bonfire! It was a most interesting story, and one I was happy to feature on the 'BR London Midland Region' page. Click here for link to 'Adam Parker's Album of Found Photos'. Since the appeal went out on the LMR page Adam has been contacted by the photographer, Richard Courtney and the material has been returned to the rightful owner...the wonder of the Internet - and ten out of ten  to Adam for successfully tracking Richard down. It reaffirms one's faith in human nature...

Being a relatively newcomer to the web (better late than never, they say) the whole point of the collection is to try and build the best website possible and give something back to the community. At the same time I was keen to learn something about digitally enhancing old photos, such as 'burning' and 'dodging', sharpening, improving brightness and contrast, and removing spots or other unsightly blemishes. I began by practising in Adobe Photoshop; a powerful graphics tool that is used by cutting-edge designers who work at the sharp point in a studio, but since I have only modest ability, it is more like a computer darkroom that contains all the tools needed to work on old photographs - and, rather like a small boy rummaging in a toy cupboard, it allows me to zoom-in to a single pixel. I'm bound to get up close and personal with all photographers' work!

  

If you would like to contribute to the website I'll be pleased to include your spotting reminiscences from steam days, but be warned - the seasoned spotter can spot a 'porky' a mile off, so embellishing your story with fictional flourishes is hardly convincing.
That's because train spotting captured the hearts of thousands of boys during the less-worldly Fifties, and although most of us are well past our prime (and forgotten what we did two minutes ago) the ageing process is surprisingly kind in another way. In the glow of memory we only remember the good stuff, so our spotting memories are bound to be mired in sentimentality. 
On the other hand, critics would argue that writing a personal account of 'bunking' sheds and chasing 'cops' is seldom illuminating or remarkable because all you are doing is regurgitating old anecdotes, which, by the very nature of the hobby, are exactly the same as everyone else's...RUBBISH! Call me an old-fashioned day dreamer, but any memory of bygone days is better than none. Just send me a favourite old photo accompanied by a meaningful caption and it will give visitors to this site a chance of escaping the grim reality of today's modern world...


   







DEDICATION 

On a final note, the most popular idols back in the Fifties were the comic 'cape crusaders' Spiderman, Batman or Superman, together with the Hollywood cowboy stars: Hopalong Cassidy, Gene Autry, Roy Rogers and the Lone Ranger.
However, the idols I worshipped above all others did not come from your usual ruck of pop singers, soccer players or film stars - and, unless you were a train spotter, none were household names. They were the railway photographers whose pictures appeared in the 1950-60s monthly magazines - the unsung heroes who helped shape my perception of the railway scene.
So when I bumped into Jim Carter in the mid-Eighties, the fear of causing him even the slightest embarrassment deterred me from asking for his autograph. We met on the embankment overlooking Marsden's reverse curves at the Yorkshire end of Standedge Tunnel, a line he regularly worked during his days on the footplate.
Mindful of those romantic tales about steam, I asked him - Did he really fry eggs and bacon on a shovel across the firebox?
Jim left me in no doubt about his feelings - "Yon shovel is for feeding t'engine, not your gob!"
So there you have it - straight from the horse's mouth.
This shot (below) of a Class 8F and WD on snow clearing duties at Diggle at the Lancashire end of Standedge Tunnel is a classic. Few photographs - or photographers, for  that matter - can leave such a lasting impression.
Thanks Jim, this site will always be dedicated to you...

PLEASE NOTE - IMAGES FROM THIS SITE SHOULD NOT BE PUBLISHED ELSEWHERE ON THE WEB WITHOUT THE PRIOR CONSENT OF THE RIGHTFUL COPYRIGHT OWNERS. IF YOU WISH TO USE A PICTURE ON THE WEB THEN YOU MUST ASK FIRST. A GOOD FIRST STEP IS TO MAKE CONTACT VIA THE E-MAIL ADDRESS AT THE BOTTOM OF THIS PAGE. YOU ONLY HAVE TO ASK...PERMISSION IS RARELY REFUSED, A RECIPROCAL LINK TO THIS SITE IS USUALLY THE CASE.

 All text and photographs are protected by copyright and reproduction is prohibited without permission from the © owners. If you wish to discuss the contents of this site the email address is below. Please note - this is not a 'clickable' mail-to link via Outlook Express; you will have to mail manually.

 dheycollection@ntlworld.com